ITAMAR MOSES (Playwright)
Itamar Moses is the author of the full-length plays Outrage, Bach at Leipzig, Celebrity Row, The Four of Us, Yellowjackets, Back Back Back, and Completeness, and various short plays and one acts. He is presently adapting Jonathan Lethem’s The Fortress of Solitude. His work has appeared Off-Broadway and elsewhere in New York, at regional theatres across the country and in Canada, and has been published by Faber & Faber, Heinemann Press, Playscripts Inc., and Vintage. He has received new play commissions from The McCarter Theater, Playwrights Horizons, Berkeley Repertory Theatre, The Wilma Theater, Manhattan Theatre Club, and South Coast Repertory Theatre. Itamar holds an MFA in Dramatic Writing from NYU and has taught playwriting at Yale and NYU. He is a member of the Dramatists Guild, MCC Playwrights Coalition, Naked Angels Mag 7, and is a New York Theatre Workshop Usual Suspect. He was born in Berkeley, CA, and now lives in Brooklyn, NY.

PAM MacKINNON (Director)
Most recently Pam directed the world premieres of both John Fugelsang’s All The Wrong Reasons (New York Theatre Workshop) and The Four of Us byItamar Moses (The Old Globe). She is currently in pre-production for Bruce Norris’ The Unmentionables (Woolly Mammoth). Pam also directed the reading of Richard Greenberg’s Our Mother’s Brief Affair at the 2007Pacific Playwrights Festival (South Coast Repertory). Recent credits include David Mamet’s Romance (Goodman Theatre), Gina Gionfriddo’s After Ashley (Philadelphia Theatre Company) and Bach at Leipzig by Itamar Moses(NYTW); world premiere productions of Alice the Magnet by Erin Courtney (Clubbed Thumb), Sheri Wilner’s Father Joy (CATF and SPF) and Victor Lodato’s 3F, 4F (Magic). Other recent productions include: the world premiere of Edward Albee’s Peter and Jerry (Hartford Stage); Ann MarieHealy’s Dearest Eugenia Haggis (CCTP); Yazmina Reza’s LIFEx3 (Alley); Victor Lodato’s Slay the Dragon (A.C.T.); Edward Albee’s The Play About the Baby (Goodman); Tina Howe’s Water Music (EST); and the U.S. regional (Alley) and European (Vienna) premieres of Edward Albee’s The Goat or, Who Is Sylvia? She works frequently with Clubbed Thumb, Inc., where she is an Affiliated Artist, and at New York Stage and Film on new play development. Pam is an alumna of the Lincoln Center Director’s Lab, the Women’s Project Directors’ Forum, the Drama League Fall Production Fellowship and is a member of SSD&C.

DAVID ZINN (Scenic and Costume Design). Broadway: Costumes for Xanadu. His designs have been seen Off-Broadway at Signature (Paradise Park), Second Stage, Theatre for a New Audience, NYTW, MCC,Atlantic Theater, Target Margin (Obie Award). Opera design: Orlando, Flavio, La Donna Del Lago (NYC Opera); The Cunning Little Vixen (Lyric Opera of Chicago, Houston Grand Opera); Don Giovanni, La Clemenza di Tito (Santa Fe Opera); Semele (Arizona Opera); The Greater Good (Glimmerglass Opera). Regional: A.R.T., the Huntington, La JollaPlayhouse, Mark Taper Forum, Centerstage, Berkeley Rep, Seattle Rep, Guthrie Theater, Dallas Theater Center, Intiman Theatre, Children’s Theatre Company.

RUSSELL H. CHAMPA (Lighting Design). Current and recent projects include The Slugbearers of Kayrol Island (Vineyard Theatre), The Bluest Eye (Hartford Stage Company and Long Wharf Theatre), Eurydice (Second Stage). On Broadway,Russell designed Julia Sweeney's God Said "Ha!" at the Lyceum Theatre. Previous designs at MTC include Yellowman and The Other Side. Other New York theatres Russell has designed for include the Promenade Theatre, the Union Square Theatre, Classic Stage Company, New York Stage & Film, The Zipper and La MaMa E.T.C. Regionally, Russell has designed for ACT-San Francisco; Seattle Rep; Trinity Rep; Yale Rep; McCarter Theatre; Berkeley Rep; Campo Santo; The Actors' Gang; The Kennedy Center. Thanks J+J. Peace.

DANIEL BAKER (Sound Design). Off- Broadway: Atlantic Theater (Scarcity, The Intelligent Design of Jenny Chow), Cherry Lane Theatre (Hoodoo Love), Keen Company (Theophilus North, Tea and Sympathy, The Dining Room, The Maddening Truth, The Conscientious Objector), The New Group (Everythings Turning Into Beautiful, The Prime of Miss Jean Brodie, The Things We Want), SecondStage (The Mystery Plays), RattlestickTheater (Acts of Mercy, Stay), Women’sProject (The Cataract, Victoria Martin…, Sand). Regional: Actors Theatre of Phoenix,Alley Theater, Arena Stage, Dallas Theater Center, Dorset Theatre Festival, GevaTheatre Center, Huntington Theatre, LongWharf, Portland Center Stage, San Jose Rep,The Shakespeare Theatre, Studio Theatre,TheatreWorks Hartford, Westport Country Playhouse, Weston Playhouse, Yale Rep.

ROBYN HENRY (Production Stage Manager). Credits include Between Us, House/Garden, Further Than the Furthest Thing (Manhattan Theatre Club); A Feminine Ending, Floyd and Clea Under the Western Sky, Rodney's Wife (Playwrights Horizons); Adrift in Macao (Primary Stages); The Intelligent Design of Jenny Chow, Romance (Atlantic Theater); New Jerusalem, Richard II, Fragment (Classic Stage Company); The Two Noble Kinsman, The Story (The Public); Dissonance, Sweet Bird of Youth (Williamstown Theatre Festival). Education: Otterbein College.

NICOLE BOUCLIER (Stage Manager). New York credits: New Jerusalem (CSC); A Feminine Ending (Playwrights Horizons); Romania. Kiss Me! (Play Company) Elliot, A Soldier’s Fugue (Page 73 Productions); The Intelligent Design of Jenny Chow (Atlantic Theater Company). Regional credits: A Midsummer Night’s Dream, Enchanted April, Martha Mitchell Calling (Shakespeare & Company); The Front Page, Model Apartment, Modern Orthodox (Long Wharf Theatre). Love and thanks to Tim and her family.